Powerful and original, the soundtrack highlights the Creature's feelings of wanderlust.Įxplore your emotions and write your story Through evolving landscapes, the boundary between reality and fiction fades and the novel comes to life. Imbued with a dark romanticism, the game's universe draws its astonishing beauty from 19th century paintings. A thousand miles from the horror stories, here is a sensitive wander in the shoes of a pop icon. Frankenstein's founding myth is once again revealed in all its glory through the innocent eyes of his creature. To forge the destiny of this artificial being who is ignorant of both Good and Evil, you will have to explore the vast world and experience joy and sorrow.ĭr. Play as the Creature, a wanderer without memory or past, a virgin spirit in a completely fabricated body. A game where your choices may well change the course of his story. Running time: 2 hours 35 minutes.Experience the myth of Frankenstein through the innocent eyes of his creature.
The Wanderer Through April 24 at the Paper Mill Playhouse, Millburn, N.J. But, call me a sucker for some good doo-wop, I was continuously charmed by this throwback-y musical and its angel-voiced ensemble. Had it come out during the wave of Boomer traps like “Jersey Boys” and “Million Dollar Quartet,” it might have been buried under sickly nostalgia, its weaknesses amplified through market oversaturation. “The Wanderer” doesn’t reinvent the wheel, nor does it present a back story that was begging to be told Dion’s highs and lows weren’t unique. Along with Sarah Laux’s costumes, the sets outshine Sarah O’Gleby’s busy choreography and Kenneth Ferrone’s unoriginal direction. Revolving set pieces reveal jungle gym-like fire escapes and terraces, and an eye-popping scene set during the Feast of Saint Anthony gives Boritt and the lighting designer Jake DeGroot a chance to flex their candy-colored vision. Credit must be given to Jasmine Rogers as a neighbor’s daughter, whose appealing stage presence surpasses what little her character gets to do, and Joli Tribuzio, for imbuing Dion’s mother with an interiority the book does not.īeowulf Boritt’s scenic design, consisting mainly of Bronx streets, transcends its straightforwardness through old-fashioned craft. For a tight-knit Bronx community, these neighbors sure get startled by every little development. The song selection, while appropriate enough for the show’s nostalgia, is composed almost exclusively of the same rock ’n’ roll classics Dion claims no longer represent him artistically.Īt least two scenes try to lend the book’s forced arguments weight by having the music stop, onlookers staring in awe. And there are moments of writerly ridiculousness, like when a thunderous downbeat follows his tour-mate Buddy Holly’s suggestion that they charter a plane.Īside from the typically inoffensive rise-and-fall-and-rise narrative, Charles Messina’s book hands Dion a lot of vaguely righteous tantrums about being sick of the doo-wop that made him without ever exploring why it is he’d rather be performing acoustic, singer-songwriter sounds. There are setbacks, of course, like Dion’s plunge into a heroin habit, maintained by a shady friend (Joey McIntyre of, yes, New Kids on the Block). There are flashes of glory - winning over, and eventually marrying, the new girl on the block (a sweet Christy Altomare). Bio-musicals have a formula that’s certainly “tried” but less convincingly “true.” There are Dion’s humble beginnings, with his initial backing trio, the Belmonts, named after the Bronx neighborhood where they grew up. Despite its falling into the genre’s tiresome tropes, this long-gestating production, which opened at Paper Mill Playhouse in New Jersey on Sunday night, succeeds on sheer sonic strength.Īnother story of a singin’ Italian American who could, “The Wanderer” features a divinely voiced Mike Wartella as Dion, best known by his first name.
That’s mostly what gets “The Wanderer,” a new jukebox bio-musical about the rise of the singer-songwriter Dion DiMucci, across the finish line.
#The wanderer windows
Sometimes, all a show needs is a harmonizing ensemble perched out of windows and fire escapes in a well-appointed street scene to win you over.
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